The Boy by Jude Cowan Montague

reubenwoolley's avatarI am not a silent poet

Tanzania, Dar Es Salaam

He reads the chalked-up list; ‘banana tree’,
‘coconut’ and ‘flower’. Then he smiles.
He’s ten, so he’s the oldest in this class.

I wouldn’t have believed that once. But then,
one day when he was walking with his friend,
wearing his hat to keep the sun away

suddenly a giant grabbed his cap
to cover my lad’s face so he was blind
and could not dodge the blade that chopped his arm.

My son ran to the town to save his flesh.
The myth says spells are cast from body parts.
These rural paths twist traps for boys like him.

A thousand times a thousand times, and more
I’m happy for him to be safe at school.
If he had stayed with me he would be lost.

I miss his smile. He should be here with us.
But when he visits home, what food we make!

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Mary Noonan’s spring

Abegail's avatarAbegail Morley

Picture2Photograph: E.E. Nobbs


But I Should Never Think of Spring
(After Hoagy Carmichael)

You brought a ghost with you, her prints
in the softening earth, her snowy breath
on the windowpane, on the mirrors, but mostly
clinging to the air between us, to our lips,
to the voice of Hoagy Carmichael as he sang
‘I Get Along Without You Very Well’ – you didn’t know
his music but fell when you heard that, saying
you had never heard such a song, saying you wanted
to hear all his songs, your eyes full of soft rain dripping
from leaves, your voice full of sheltering in her arms –
I lay beside you and listened, looking into the dark eyes
of the fox, the dark eyes of the owl and Hoagy singing
it’s not the pale moon that excites me that thrills
and delights me oh no it’s just the nearness
of…

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The Title of Poet: praise word or description?

Good definitation

angelatopping's avatarAngela Topping

There has been discussion about what a poet is and whether one can confer the title on oneself. I was tentative for a long time about calling myself a poet. Many say a poet is someone who writes poems. But what makes something a poem? When I was a very young poet (13 or 14), I used to show my work to people and ask’ is this a poem?’ by which I meant ‘does it do what poems are meant to do, is it magic?’That is why I don’t believe in bad poems, if it’s bad, it’s not a poem. William Carlos Williams said ‘if it ain’t a pleasure, it ain’t a poem’.
By calling oneself a poet, if one simply means that one writes poems, I don’t have an issue with that. But the secondary definition is that a poet is a ‘person with great imagination and creativity’. I…

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Reach Poetry 198

Another poem published in this magazine’s March edition
AND ALL AT ONCE I SAW A CROWD

Daylight breaks the lamps turn off
busses, cars, trains spiral into the hub
of the town; spewing hordes erupt
in human floes from underground
into the beating heart of commerce.

Attached to every hand and ear a phone,
texts, calls keeping everyone engaged
smart phones emailing from everyone
and incessant video, photos uploaded.

The view is limited by the city structures
rising in hosts of spires, erupting fingers
scraping the blue from the waking sky.
No ways to see accuracy, to look at length,
absorb the essence of the moment
find what lies behind the patent
in the rush to be connected, confined.

Charmed by constant connection even
the stray sign wings its way to iPhone
assuming the status of an ancient icon
but yet all ways of seeing are confined
to the macro aperture of the viewfinder,
the bigger picture and the moment past.

The freedom of now has flown swallow-like
into a past when time offered space
to see beyond the crowd of bent heads
blowing in the ethereal breeze.

Carolyn O’Connell
from Timelines published by Indigo dreamsTimelines72
Published Reach Poetry 198

Roundel Poetry Competition

Abegail's avatarAbegail Morley

Picture1Roundel Poetry Competition 2015
Roundel is a Poetry Society Stanza

Judge: Susan Wicks

First Prize: £200 Second Prize: £100 Third Prize: £50

Entry fee: £3 per poem. No entry form needed. Open to anyone aged 18 or over. Poems are welcome on any subject. There is no limit to the number of entries per person. Each poem should be typed on a single A4 sheet. Your name must not appear on the poem. Please enclose a separate A4 sheet with your name, contact details, email address and title(s) of your poem(s).
Closing date: 31 May 2015. Postal entries only.

RULES

Poems must be:

the entrant’s original work
written in English
no longer than 40 lines (not including title or dedication)
unpublished and not already accepted for publication

Poems will be judged anonymously and the judge will see each piece. No entrant may win more than one prize. Winners will be…

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Reach Poetry Published This Poem in January edition

Castaway

From this grey moon-dust
I see my home rise
as a child’s marble –
remembering
the games, tunes of childhood,
my mother singing “Hey Jude”

or thinking of your ring
a cabochon fire opal
catching sunshine
as we kissed when we danced
to Oasis as morning broke.

Castaway with no way back
I watch for home to rise
from jet night, ribbon stars
firework comet tails threading orbits

think of you asleep beneath
a water blanket encasing
the home we knew and loved before

I left for this desert, no island
no disc, no luxury but only
my thoughts, memories and love
to hold until they rescue or air expires.

Sally Flint’s The Hospital Punch (Maquette Press)

Sally Flint’s The Hospital Punch (Maquette Press)

tearsinthefence's avatarTears in the Fence

Reading this little chapbook of poems, eleven in all, I kept thinking ‘Why am I moved by these glances into the life of a hospital?’ The answer when it came was something to do with the compassion and care threading its way through the tone of Sally Flint’s poems. It brought to mind the article I had read by Gavin Francis yesterday in the review section of The Guardian. The article revolved around that masterpiece from 1967 by John Berger, A Fortunate Man. Gavin Francis presented the reader with a brief account of Berger’s book, ‘a collaborative work that blends John Berger’s text with Jean Mohr’s photographs in a series of superb analytical, sociological and philosophical reflections on the doctor’s role, the roots of cultural and intellectual deprivation and the motivations that drive medical practice’. The article also quotes Berger as stressing that he is ‘a storyteller’:

‘Even…

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How to maximise your chances of getting your poems accepted for publication

emmalee1's avatarEmma Lee's Blog

How to maximise your chances of getting your poems accepted for publication

The current issue of The New Writer features interviews with three poetry magazine editors, which includes the following statistics:-

  • Envoi magazine features 20 – 30 poets each issue, 400 – 500 poets will have submitted poems.
  • Other Poetry publishes 200 poems from 3500 – 4000 submitted.

In other words, both poetry magazines only accept around 5% of poems submitted.  This is actually generous as some poetry magazines accept as little as 2% of poets submitted.  So how can you increase your poems’ chances of being accepted in such a tough market?

Read Poetry Magazines

Better still, subscribe to a few.  Although poetry magazines generally don’t favour subscribers when selecting poems for publication, subscribing to as many magazines as you can means that there will be a market for your work.

Reading poetry magazines will also give you an…

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A Quarter for my soul by Cristina-Monica Moldoveanu

reubenwoolley's avatarI am not a silent poet

one day i begged at the corner of my street
but no one understood:
only a drop of sunshine please,
it costs half a dollar by tram
to get out from the shadow of civilized ghettos,
to renounce my cornflakes with yogurt,
only half a dollar for the 13th hour tram,
even if lonely women are conspicuous in city parks;
some people give tens of dollars to watch movies at the mall
and they are allowed to,
others give hundreds of dollars for iPhones
because they have who to talk to…
but only the heart, decent folks,
the heart mends with sunshine,
otherwise it becomes suspect
of a cancer not discovered yet,
or maybe the human himself grows leaves
in his entrails for always
in the shade of cold concrete
where only the sun costs half a dollar…

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