TIMELINES -Carolyn O’Connell
Think of me as you fly into the blue of the night
of how I love the light, and when you land
the joy of light before me.

One of the more welcoming aspects of a well-written, newly published poetry collection by a writer hitherto unknown to me is that so invariably the inherent nature

Graham Burchell and Kate

Rebecca Gethin

The new Featured Writer is Graham Burchell whose third collection, Kate, has just been published by Indigo Dreams.  Being a member of one of Graham’s poetry groups I have  seen some of these poems grow and coalesce over time which has been a great honour and very instructive.  Extraordinary to see how a collection comes together.  I can tell you that in this book Graham has moved up yet another gear or even three as his turn of phrase and compression startles and astonishes the reader at every turn.  I can feel a gasp coming on each time I start reading just the two poems he sent me.

Written in Kate’s voice the poems follow the complexities and conflicts of modern life as seen through her eyes –  a fictional child of dysfunctional parents. You might say, ‘she never stood a chance’. When life becomes too strange to be bearable, Kate retreats like Lewis Carroll’s ‘Alice’ into her own fantasy world…

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Since you ask most days I can’t remember…

The Poetry Shed

In a strange way, I am very much looking forward to the poems for World Suicide Prevention Day, something close to my heart. I have a stellar selection from poets kind enough to send their poems to me, and even though it is a grave subject I really feel we should mark it in some way. I have been bowled over by the poems and messages and am really honoured to share them with you in September.

I suddenly find myself at a poetic busy time. Coming up shortly is my poem at The Globe as part of The Voice and the Echo series running this summer. For those of you who haven’t quite caught up with it, they’re running a programme from 29th August to 9th September where contemporary poets have the chance to be inspired by, and respond, to other poets’ work, to “bring both the traditional canon…

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Gordon Lish’s Cess: A Spokening (OR Books, 2015)

Gordon Lish’s Cess: A Spokening (OR Books, 2015)

Tears in the Fence

In contrast to Alexandra Psaropoulou’s All The Stars, which I wrote about yesterday, Gordon Lish’s book, rich in language play, employs a loquacious first person narrative in two extended notes before and after a list of select vocabulary. It is implied that the narrator is loosely based on the author self, although this is more of a ploy to draw the reader more closely into the narrative world with its frequent call to check the factual details of the narrative online.

The first note delineates the biographical details of his mother and her sisters, Jewish immigrants from Austria, based in New York, and his own situation at Mills public high school, at Millbrae, California. Finding himself without a job and having to support a wife and three children he wrote to his winsome Aunt Adele asking for work not dissimilar to hers. Apparently, in 1963, Lish was refused tenure…

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I am not a silent poet by Reuben Woolley

I am not a silent poet

This is my introduction to I am not a silent poet together with a few poems of mine that were published on the magazine and are now in my chapbook with Erbacce Press, dying notes. The video was recorded at my reading at Culture Club at the Thrive Cafe in Totnes last Friday. The lighting wasn’t very good but here it is. Thanks to Graham Burchell for filming it.

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