Stanze by Simon Marsh STILL LIFE by Ian Patterson (Oystercatcher Press)

Stanze by Simon Marsh  STILL LIFE by Ian Patterson (Oystercatcher Press)

tearsinthefence's avatarTears in the Fence

Elegies have various narratives buried within them. Some, like Thomas Gray’s famous reflections in an eighteenth-century country churchyard, have incomplete ones: what might have been rather than what was. There are ironies underlying Gray’s use of the word ‘waste’ in the couplet

‘Full many a flower is born to blush unseen
And waste its sweetness on the desert air.’

Blushing suggests a social awareness, a young girl perhaps entertaining her earliest encounters with the opposite sex, and ‘waste’ records with a touch of wistful sorrow how those imagined ambitions of youth are lost to the inexorable marches of Time.
Simon Marsh’s sixteen short elegiac poems present the reader with narratives which accrue to become a ‘life’. The opening poem, ‘Notte’, registers the continuance of one narrative (‘nature’s circuitry’) acting its part as background to another narrative which has now reached conclusion. The inevitable new growth of seed ‘is soldered to…

View original post 854 more words

Of Gender and Poetry: Lydia Towsey & Hollie Poetry

Bridget Hart's avatarBurning Eye Books

In all regions of the UK, the appointed role of Poet Laureate are all held by women. In Northern Ireland it is Sinead Morrissey, Scotland Liz Lochhead, Wales Gillian Clarke and of course, the UK’s Laureate is Carol Ann Duffy. Duffy is the first woman to gain this title after almost 400 years of its instatement. The London Laureates for the past three years have been women and Kate Tempest is one of the most successful poets of all time. Even in the realm of performance poetry, women seem to be much more successful at having their voice heard so why is it still all about men? We asked Lydia Towsey and Hollie Poetry for their insights:

Lydia –

Considering that the poet laureates for all regions of the UK are female and Selina Nwulu has just been made London’s Young Poet Laureate, why do you think the BBC focused on predominately male poets on National…

View original post 1,752 more words

Laura McDonald-Amurun

marielightman's avatarWriters for Calais Refugees

Bludgeoned Cradle

Down in the depths of rumbling waters,
A child-soul crawls this way and that.
It seeks its mother and its siblings,
And its father, if he is still there.

Enclosed in the gruelish murky darkness
A frantic fear grips its fragile heart.
Anguished tears never find its way down
For the chubby drawn cheeks are caressed by waters.

Up in the world of so-called men,
Men convene to decide child’s fate.
They chatter and banter over sumptuous menu,
Besides paychecks made out in child’s blood.

All the while, walls climb higher,
Strengthened with spikes that wring out child’s blood.
And fencing off child in its dreadful ordeal.
Its body yet, a target for gas and angry bludgeon.

And all the while, men convene, in endless impunity.
While child succumbs to the watery barricade.

View original post

Virgil, Aeneid Books I-VI Translated by David Hadbawnik Illustrations by Carrie Kaser Shearsman Books

Virgil, Aeneid Books I-VI Translated by David Hadbawnik Illustrations by Carrie Kaser Shearsman Books

tearsinthefence's avatarTears in the Fence

When Christopher Logue published his 20 Poems based on Pablo Neruda’s Los Cantos d’Amores in 1958 he added a note at the end to say ‘these are not translations strictly speaking, but adaptations, and several of the poems are entirely new, although taking their theme from the original Neruda poem’. One year later Donald Carne-Ross suggested that Logue might contribute to a new version of Homer’s Iliad which he was about to commission for the B.B.C. When Jonathan Cape issued an edition of Logue’s Homeric work in 1981, titled War Music, the poet wrote an introduction which gave some background to the whole enterprise:

‘As the work progressed beyond its original limitation I paid less attention to my guides. Carne-Ross would provide me with a literal translation that retained the Greek word order; I would concoct a storyline based on its main incident; and then, knowing the gist of…

View original post 464 more words

Sky for a Silent Boy by Antony Owen

reubenwoolley's avatarI am not a silent poet

“Let your plans be dark and impenetrable as night, and when you move, fall like a thunderbolt.”
Sun Tzu, The Art of War

And they knew one green apple could poison the others,
how western eyes would gawp from Sangin’s sky
and eyes of their brothers would judge them from mountains.
~
And they knew when songbirds broke beaks upon the water
that all the virgins would be ruined in a village
so they shot them for food and sang of their nests.
~
And they knew from the map of a hen’s bloodied throat
that all the eggs would be covered in dust
so they left them on rocks for concaved dogs.
~
And when the drones came, flowers closed their mouths
a throbbing blister sutured the days remains and
war bled sky for a silent boy.

View original post

Anna Morvern

marielightman's avatarWriters for Calais Refugees

To Europe

The children of Syria
Are dead off Zuwara
Freedom where I live
Is becoming forgotten:
Walls heightening
Humanity drive out
And racist rhetoric in.
I looked across the oceans
And saw this little girl
In the polka dot dress
Washed up on the shore
I looked across the oceans
And saw this little boy still
In nappies so like my son:
Drowned there his body
Given up to the waves.
Europe, open the borders
The children of Syria
Are dead off Zuwara.
Europe, open the borders.

View original post

Maggie Mackay

good one Maggie

marielightman's avatarWriters for Calais Refugees

Bereft

I am ripples, motionless,
swamped by water, lifted by brother.
I am girl watching home wash
away again, again
Do you have a boat?
You are of no use to me.

I hover over flood
my only loves, our goat,
the bracelets of my grandmother,
now treasure of the force of nature.
I am homeless in the smoke-grey
of a greedy monsoon, dripping disaster.
Bring a boat.

I do not know the whereabouts of the rest.

View original post

National Poetry Day 2015: LIGHT

This would be great

angelatopping's avatarAngela Topping

12087223_10154215955433776_5835080146828668783_o

It is a fine and wonderful thing that, thanks to the Forward Arts Foundation, we now celebrate National Poetry Day. When I was teaching, I made full use of all the poster poems, postcards, teaching materials and websites which are available. I would encourage colleagues to include poetry in their lessons that day, and a wide range of departments would oblige. Everyone in the English department would do a poetry lesson. I would plan and give resources for the Key stage 3 one. I would run an annual competition (which I believe is still going) using the same theme, resulting in a school Poet Laureate. This fed into the Wirral Young Poet Laureate (which was started later), and the very first one was Holly Green, who won our school competition. She went on to read with Carol Ann Duffy – whose generous support of poet laureates everywhere is notable.
As…

View original post 418 more words