These are the poems inspired by a workshop I led with the VRWG at the inspirational Gladstone’s Library.
The car turned by the church
inside a brass tray
reminded me of the craft and the man
who loved literature.
The sun scrolled over the statues
as we commenced to write
laughter filling the silences of our creativity,
and the walls seemed to imbibe our words
to mingle with others
who had written in rooms before us.
Food was collected refreshing us
tethering our tasks of creativity, bonding
freeing words inscribed
strong as the oak tables – the books we breathe upon –
a cartoon of him has watched
listened to us with blessing.
The car turned by the church
and through the dappled shade of the trees,
The crunch of gravel, pleasing to the ears
as the library rises to view.
The oversized table, fit for a banquet
dominated the room –
Though not my style, if ever
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This anthology confronts something difficult: when our news bullintens reel off disaster after disaster, how do we respond to voilence and tragedy? It takes a poet to make sensce of it. In this document for troubled times, contempory poets offer their response in various ways – grieving, consoling, protesting questioning and measuring losses.
Profits will be donated to Médicins Sans Frontièrs
I feel honoured to be included thanks to Moria Andrew and Susan Sims
In the summer of 2018, John Greening spent 2 weeks as artist-in-residence at the Heinrich Boll cottage in Dugort, Achill Island. The resulting Achill Island Tagebuch is a sequence of 24 Shakespearean sonnets, in the mode of Boll’s own Irisches Tagebuch – a journal, day book, or diary – and is an elegant, yet often roundly colloquial record of Greening’s communings with self, landscape and literary influences. As he says, there is as much of “what I dreamt as what I did” and there is a finely judged cocktail here of the island’s life of countryside, tourism and local bars, plus the artistic presence of Boll himself, but also Yeats, Heaney, John. F. Deane, Dennis O’Driscoll, Lady Gregory and Dermot O’Byrne (the latter being composer Arnold Bax in his poetic mode).
Greening’s long-established deftness with poetic form is on full display here but it is the (seeming) ease of encompassing…
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A Poem from my collection Timelines was selected as one of the April poems of the month on Second Light Live. I feel honored to be chosen. This is the poem
Diamonds fall on glass, rain on the window
patterns of water shimmering in the dawn
not precious gems, eternal settings of graphite
pressed for millennia beneath specific rocks.
Worn by women as tokens of affection, pride
of their menfolk as they sport rich gifts,
the carat of a poor man pledging life
a bauble cast unheeding by the oligarch.
One set of diamonds a young mother wore
token not of love but duty to be done
her pledge no to a single man but
to a race she never wished was hers
and on that day the diamonds were returned
to wait in silence for another’s brow,
now a lifetime’s past, children then undreamt
walk streets changed beyond concept,
all that was sixty years ago.
Poem published in collection, Timelines, Indigo Dreams, 2014
Collection: Timelines, Indigo Dreams, 2014, ISBN 978-1-909357-53-2, £7.99
Anthology: Mirrored Voices Emerging Poets Anthology, Star Investment Strategies LLC, 2015, ISBN 978-1-5077107-1-5, £6.95.
Timelines is also available at Amazon https://www.amazon.co.uk/Timelines-Carolyn-OConnell/dp/1909357537/ref=sr_1_1?keywords=Carolyn+O%27Connell&qid=1555078862&s=books&sr=1-1-catcorr